Anne’s Art Studio : A beacon of collaborative design and sustainable innovation

Photography above and below French & Tye

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By Sam Peters, Co-founder Planted

On the eastern edge of Salisbury, barely a stone’s throw from the River Bourne, Anne’s Art Studio stands as both an innovative piece of sustainable architecture and a vibrant hub of creativity for Swedish artist Anne Terselius Claridge. Built primarily as her working studio, this distinctive charred wood-clad structure is more than a workspace; it’s a canvas for inspiration and a proof-of-concept model for eco-conscious development.

Anne shares her time between Stockholm and Salisbury with her British husband Nigel, who inherited the house back in 2012. The collaboration with Richmond Bell Architects has created not only an ideal environment for her to create art but also a sanctuary that bridges her Swedish heritage with her British home. “I am absolutely thrilled with how the space has turned out,” Anne shares, reflecting on the journey she undertook alongside RBA associate director Matthew Mudd. “While I will always consider Sweden home, whenever I travel away now, I yearn for this place.” Her words reveal the deep connection she has formed with the studio where natural light, thoughtful design, and sustainable materials come together to foster boundless creativity.

From its earliest conception, sustainability was the guiding principle behind the project. Anne and Nigel’s initial meeting with Matthew and RBA Director James Bell set the stage for a project that would balance environmental responsibility with the demands of an artist’s daily practice. For Anne, this meant not just a functional studio, but a space that could nurture her inspiration and support her artistic journey.

Every aspect of Anne’s Art Studio was scrutinised for its environmental impact. Screwpile foundations protect the roots of the mature lime trees, while the use of  Structurally Insulated Panels (SIPS) ensures a stable ambient temperature, and at the same time reduces energy costs a. The result is a harmonious contrast with the neighbouring 1930s bungalow that has been in the Claridge family since the mid-seventies.

Central to Anne’s artistic process is the quality of light, and the studio places this need at its core. The building is asymmetrical, with an intentionally angled roof facing north, bathing the studio in consistent natural light which is ideal for painting, sculpting, and creative work. 

Thoughtfully positioned windows further enhance this experience. An eastern window with a built-in seat allows Anne to gaze over her wildflower meadow in the morning, while the western window captures evening sunlight and frames the formal garden. These details, crafted in close collaboration with Anne, transform the studio into a living source of inspiration.

“The interplay of light and landscape here is extraordinary,” she says. “Even on quiet days, the space itself seems to encourage creativity. It’s a privilege to create in an environment so thoughtfully attuned to my needs. I love everything about the studio.”


A cornerstone of Anne’s Art Studio ecological credentials is its use of SIPs, supplied by Ecologic SIPS in the New Forest. These panels  are transforming sustainable construction in Britain, combining  lightweight performance with robust strength.  Manufactured from  100% recyclable EPS insulation sandwiched between engineered wood panels, they take a whole life-cycle approach to the building’s design, making it recyclable at the end of its use.

“The SIPs system allowed us to achieve an excellent thermal performance,” notes lead architect Matthew Mudd. For Anne, this means a studio that remains inviting and productive year-round.

The project’s commitment to sustainability goes beyond structure, encompassing every detail of material specification. Timber was sourced from certified sustainable forests, and glulam, instead of steel, was incorporated to minimise emissions

Anne’s appreciation for the studio is evident in her daily life. She often finds inspiration in the building’s details – the charred wood cladding, hidden gutters and downpipes that facilitate rainwater collection, and seamless integration with the landscape. “It’s rare to work in a space that feels so alive,” she says. “The architecture itself seems to participate in the creative process.”

The project’s success is measured not only in its environmental credentials but in Anne’s satisfaction and the strong partnership with RBA. From the outset, open dialogue and collaboration were central, with Anne’s feedback directly shaping the design. “Working with RBA has been a breath of fresh air,” she says. “They listened, they guided, and they delivered on their promises. Every challenge was met with creativity and pragmatism, and the result is a building that not only meets our expectations but surpasses them.”

Regular updates and input from all stakeholders helped to build trust and ensured the final outcome reflected everyone’s aspirations. The planning process with Wiltshire Council proved almost as seamless as the building itself which Matthew attributes in no small part to RBA’s core values: “We pride ourselves on our spirit of collaboration and attention to detail and we hope this was reflected in the straightforward nature of the planning application.”

With the UK still catching up to European best practices in sustainable building, Anne’s Art Studio offers a compelling vision of what’s possible when sustainability and creativity are woven together. For Anne, the studio is more than a workspace; it’s a daily source of inspiration, a testament to what thoughtful design can achieve, and a model for future eco-conscious projects.

“I hope this project inspires others to see what’s possible,” Anne reflects. “It’s not just about building sustainably, it’s about creating spaces where people can thrive and ideas can flourish.”

In the union of innovative construction, eco-friendly materials, and a collaborative client-architect relationship, Anne’s Art Studio is at once bold, beautiful, and responsible; a beacon for artists and homebuilders alike.

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